There was a lot of waking up at 4am worrying about things. I'd get so worried I was stuffing things up. It can be anything from inter-band relationships, which might start off as little things but can then evolve into quite big destructive things to writer's block to anxiety.Īs a manager, I experienced anxiety too, because you're working with someone on their career and that's a lot of responsibility. I've seen what artists go through and the range of pressures that are put on them. Teresa: As a band manager these days, you need to be a business manager, booking agent, promoter, publicist, and record label. It is a very 24/7 relationship managing an artist. It was when Robert Smith was on bass, and I was just a happy little fan, being able to see my idol live. Even though I was completely under-age, because of all the hair teasing and the makeup, I managed to pass for 20, it was in those days. While I was still at high school, I managed to sneak into her gig at Mainstreet. Teresa: Siouxie Sioux is exactly how I looked as a teenager. Siouxie and The Banshees - 'Hong Kong Garden' Teresa joined Yadana Saw to choose some songs, talk about her career in music, and discuss why she's recently stepped away from band management. Read more about the Milk & Honey festival.This year, she and Elemeno P's Lani Purkis have joined forces to launch the Milk and Honey Festival, which celebrates International Women's Day with a line-up of all-female performers and crew. Now, having worked as a band manager, label manager and publicist (among other things), she's carved out a career in the music industry, working with some of New Zealand's most well-known artists including Si圆0, Scribe and Salmonella Dub. As a teenager growing up in West Auckland in the 1980s, Teresa Paterson was a music obsessive, hanging out in music stores and sneaking into gigs.
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